Victoria Chlebowski is an interior designer, producer, and creative partner of actor Michael Imperioli. He is best known for playing Christopher Moltisanti on The Sopranos. Victoria has spent years making spaces for art, theater, and daily life. The couple married in 1996. They raised three children and have worked on several projects together in New York City.
Victoria Chlebowski’s work tells a richer story than the label of a famous actor’s wife. She helped build a small theater, shaped the look of their homes, worked on a film, and designed a New York bar called Scarlet. Her favorite rooms mix old pieces, bold color, and a sense of drama. Yet she wants people to feel at ease in them, too.
The Creative Life of Victoria Chlebowski
Victoria Chlebowski works with rooms, sets, and objects. Her work can feel like a scene from another era, but it is made for people who live and meet there now. She draws on art, old buildings, and the way light changes a room. She is drawn to things with a past. Those details give her spaces depth and warmth.
Victoria Chlebowski’s interest in design has shaped much of her life with Michael Imperioli. The two have shared work in film, theater, music, and places where people gather. Michael may be the face that fans know, but Victoria often gives those shared spaces their look and mood. She is not just picking furniture. She helps decide how a place should feel.
This makes her career hard to fit into one job title. A home calls for comfort. A theater needs a world where actors can tell a story. A bar needs a mood that guests can feel from the moment they walk in. Victoria has worked across all three.
New York, Art, and Her Eye for Old Buildings
New York plays a big part in Victoria Chlebowski’s style. The city has old hotels, grand theaters, small bars, and homes with layers of history. She sees room for beauty in those old forms. Rather than clear away every trace of the past, she likes to make those details part of a new space.
That taste is easy to see in the couple’s homes. Art, fabric, rich colors, and unusual objects all have a place. The rooms are full, yet each part serves a purpose. A wall is not just a blank space. A lamp is more than a source of light. The pieces work together to build a mood.
Victoria Chlebowski has also worked with skilled craftspeople. One close example is her father, Ryczard Chlebowski. He made custom woodwork for the couple’s New York loft. His craft helped bring her ideas into the rooms. Their work shows how much can happen when a designer and a maker share the same goal.
A Home With Its Own Point of View
Victoria Chlebowski’s New York loft was featured in Architectural Digest. It had a mix of old art, rich cloth, and custom details. Some pieces gave the home the feel of a small palace. Others made it warm and easy for family life. The rooms could be moved around when guests came over or when the family needed more space.
Victoria did not try to make the home look like a bare photo set. She made space for art, books, and items that meant something to the family. That choice gave the rooms a lived-in feel. Beautiful things were there to be used and enjoyed, not kept far from reach.
The family later lived in a New York apartment that Michael showed during an Architectural Digest video tour in 2023. He pointed out how Victoria chose much of its look. He spoke about her care with color and the way each room could change a person’s mood. The result was a home with calm corners and bold details.
One room could feel soft and quiet. Another had a more playful side. The home was not meant to follow a passing trend. It was built around what the family liked to see and how they wanted to spend time there.
Studio Dante: A Theater They Built Together
Victoria Chlebowski and Michael Imperioli once ran Studio Dante, a theater in Chelsea, New York. They opened it in the early 2000s and kept it going until 2010. The project grew from Victoria’s wish to make a place where new stage work could live.
Victoria Chlebowski helped find the space, shape the theater, and run key parts of the work. Michael has said that she took on much of the business side, while both had a hand in the creative work. She also worked on sets and costumes. It was the kind of job where a design idea had to become a real room that people could use each night.
A theater is different from a home. Actors need space to move. A set must help tell a story without getting in the way. The room also needs to draw an audience into the action. Victoria’s work there drew on all those needs.
Studio Dante gave the couple a way to support plays and live performance. It also gave them a chance to work as a team. That kind of shared project takes more than taste. It calls for daily effort, planning, and a clear sense of what a place is meant to do.
Her Film Work With Michael Imperioli
Victoria Chlebowski’s work with Michael also moved to film. Victoria Chlebowski was a producer on The Hungry Ghosts, the 2009 film that Michael wrote and directed. The story follows people in New York as they face hard choices in love and life.
A producer helps a film move from an idea to a finished work. That can mean helping with people, plans, and the many needs of a shoot. Victoria’s role on the project was another way to take part in a story without being the person on screen.
Her work has not stayed in film alone. She has also directed music videos for ZOPA, Michael’s band. That work gave her one more form in which to shape mood through what people see. A music video can use light, movement, color, and setting to bring a song to life.
The link between these projects is clear. Victoria likes making a world people can enter. It may be a room they can walk through or an image that lasts only a few seconds. In each case, she brings an eye for detail to the whole scene.
Ciel Rouge Came Before Scarlet
Long before Scarlet opened, Victoria and Michael had a bar called Ciel Rouge in Manhattan’s Chelsea area. They ran it during the 2000s and lived above it. The bar was one of their first shared places where design, music, and the life of the city came together.
A bar is not only a place to order a drink. People go there to meet a friend, rest after work, or hear something new. The room can make all of those moments feel different. With Ciel Rouge, the couple learned what it was like to welcome guests into a space they had helped create.
Years later, Victoria Chlebowski and Michael had the chance to do it again. The new place would be on the Upper West Side, a part of New York they knew well. It would also carry some of the color and spirit that had made their earlier bar special.
Inside Scarlet, the Upper West Side Bar
Scarlet opened in December 2023 on New York’s Upper West Side. Victoria Chlebowski designed the room with a strong nod to the 1920s. The bar has soft red tones, rich fabric, warm light, and touches of metal. The look draws from Art Deco, a style with clean shapes and bold detail.
The couple worked with restaurateur Jeremy Wladis on the project. Victoria took the lead on its visual style. It is a small place, with seating for about 40 people, so the look of each corner matters. A room of that size can feel cold if it is too bare or busy if it has too much going on. Scarlet aims for a warm middle ground.
The name fits the room’s red color. Yet the place is more than a theme. The old-style light and furniture make it feel like a spot where people can slow down and talk. Guests do not need to dress for a movie scene. They can sit down, have a drink, and enjoy being in New York.
In a 2024 interview with Cultured, Victoria spoke about why she likes the Upper West Side. She loves the older buildings and the life of the area. That love shows in Scarlet. It feels linked to its part of the city rather than dropped into it from somewhere else.
Scarlet also offers drinks without alcohol, so there are ways for more guests to enjoy the bar. Its look matters, but what people do in the room matters just as much. Victoria and Michael have said they want a place that welcomes people and leaves room for art, talk, and new ideas.
Why the 1920s Mean So Much to Her Style
Victoria Chlebowski often looks to the 1920s when she thinks about design. In New York, that era left a mark on buildings, furniture, and public rooms. It was a time of sharp lines, new shapes, and a love of craft. The city still has many places that carry its look.
She does not treat the past like a set of rules. She takes the parts that speak to her and makes them fit the room at hand. In Scarlet, old ideas work with the needs of a bar today. The light is soft. The seats invite guests to stay. The details add charm but do not ask people to stop and study them.
This approach can also be seen in her home design. Art from one period may sit near a chair from another. Rich color can make old work feel fresh. She is less drawn to an empty room than to one filled with signs of life.
The Wiltern Theater and Work in Los Angeles
Victoria Chlebowski has worked on the Wiltern Theater in Los Angeles, too. The venue is known for its striking Art Deco design. Her role involved work that honored the theater’s old features while giving them new life.
That is a different task from making a new room. A historic theater already has a story, and people may love it for the details they know. The work calls for care with what is there. It also needs to serve the people who use it now.
Victoria Chlebowski’s interest in the Wiltern fits with her other spaces. She likes old design because it gives a place its own voice. She can build on that voice rather than hide it. For guests, the result is a room with a real sense of time and place.
Marriage to Michael Imperioli
Victoria Chlebowski married Michael Imperioli in September 1996. They met in New York in the 1990s, when she was part of the city’s bar and arts scene. Their relationship grew alongside their work, and they went on to raise a family together.
Michael is best known as Christopher Moltisanti on The Sopranos. He also played Dominic Di Grasso on The White Lotus and has worked as a writer, director, and musician. His career has kept him in public view, but Victoria has her own work in the arts.
The two have done more than attend events together. They opened and ran places, worked on films, and made a home shaped by a shared love of old art and design. Their long marriage is linked to that creative life. They seem to enjoy making things together, even when each brings a different skill.
A film set needs a story. A bar needs a place to sit and feel welcome. Their work together crosses those worlds. It also shows why fans who know Michael only from TV may find Victoria’s projects worth a closer look.
Their Children and Family Life
Victoria and Michael raised three children: Isabella, Vadim, and David. Isabella is Victoria’s daughter from an earlier relationship. The couple also have two sons together. Their home was made with family life in mind, even when the rooms had fine art and detailed furniture.
As the children grew up, the family’s daily life changed. In his 2023 home tour, Michael spoke about how the children were adults with lives of their own. He also showed family photos and parts of the home that still held their memories.
Victoria Chlebowski and Michael spent years in California before returning to New York. That move brought them back to a city where they had already built a theater, run a bar, and made a home. For Victoria, New York also meant being close to the old buildings and art that inspire her work.
A Shared Interest in Buddhism and Art
Victoria and Michael practice Buddhism. Michael has spoken about how his faith shapes his view of life, and the couple have shared an interest in Tibetan Buddhist art. Their homes hold items tied to that part of their lives.
Those pieces are part of the rooms rather than a separate display. They sit near books, paintings, and objects from other times. The mix shows how personal taste can grow from more than one source. A home can hold art, faith, family, and memory at once.
Their interest in Buddhist thought also has a place beside the creative work they share. It is one more part of how they live, not simply a design choice for visitors to see.
The Work Behind Her Public Name
People often look up Victoria Chlebowski after seeing Michael Imperioli on television. That may be how they first hear her name, but it is only the start. She has worked on homes, a theater, a film, music videos, and bars in New York. She has also been part of work on a famed Los Angeles venue.
Her projects have different goals. Some need to feel calm. Others need energy and a touch of theater. What ties them together is the care she gives to the whole room. She thinks about color, light, art, and how people will feel when they enter.
Victoria does not have to follow the same path as her husband to share a life in the arts with him. She has found her own way to make things. In many of their shared projects, her ideas give the space its character.
Why Victoria Chlebowski’s Story Stands Out
Victoria Chlebowski’s life brings together design, family, and the arts. Her marriage to Michael Imperioli is part of her story, but so are Studio Dante, The Hungry Ghosts, their homes, and Scarlet. Each project shows another way she has used her eye for style and her love of places with a past.
What makes her work easy to connect with is its human side. A good room should not only look nice in a photo. It should give people somewhere to talk, think, rest, or feel at home. That idea runs through the places she has helped make.
For another look at a family with links to a well-known TV show, read about Holly Revord and Raegan Revord’s life around Young Sheldon on Turquoise Moon Homes.
